" The perfected form
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Novalis, letter to Schlegel, 1798
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❉ Fragments |
COHJU Contemporary Art
Kyoto, 2024 |
Neural Snowball series I-III, 2023, Ink, water-colour, and pencil on paper, 80 x 57 cm
❉ The Metamorphosis of Plants (Ur-chid) |
Urban Species
Curated by MUSTHAVEKEYS Hong Kong, 2023 |
The Metamorphosis of Plants, 2023, AI generated digital orchid species, Video, Wallpaper and 3D print,
The Roots of the Orchid, 2019, Ink, pencil, and water-colour on paper, 111.2 x 78.9 cm
The Roots of the Orchid, 2019, Ink, pencil, and water-colour on paper, 111.2 x 78.9 cm
❉ Grid Cell Performance |
Light Up
Curated by Zoe Chan Goethe Institute Hong Kong, 2022 |
Dance performance on Grid Cell Carpet, 2022, Custom made carpet, 250 x 250 cm
(Installation view: Goethe Institute Hong Kong)
(Installation view: Goethe Institute Hong Kong)
Butterfly on the Sun, 2022, Window mounted printed plastic (UV-resistant),
1800 x 1400 cm (Installation view: Seoungsan Art Hall)
1800 x 1400 cm (Installation view: Seoungsan Art Hall)
Noctis Labyrinthus (Labyrinth of the Night), 2021. Fictional plans for Martian city based on the structure of the human ribosome.
3D milled foam model of a valley system made using NASA data, with 3D printed Martian habitats.
3D milled foam model of a valley system made using NASA data, with 3D printed Martian habitats.
Perpetual Motion (Grid cell carpet map with suspended MTDNA Haplogroups of the World), 2021
Custom made carpet, wood, UV-printed disks, lead, wire, 350 x 350 x 800 cm
Custom made carpet, wood, UV-printed disks, lead, wire, 350 x 350 x 800 cm
❉ Bird call full moon |
Ashiya Schule Gallery
Ashiya, 2020 |
Bird Call Full Moon, 2009, Ink and watercolour on paper, 44.5 x 42 cm
Still Life, 2019, printed roller blinds, aluminium rigging, lighting, cables, framed ink and watercolour painting on paper,
240 x 600 x 600 cm (Installation view: Asia Culture Centre, Gwangju) Photo: Sarah Kim
The Roots of the Orchid, 2019, Ink, pencil, and water-colour on paper, 111.2 x 78.9 cm
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Tear glands, tear ducts, tear drops, 2019, Ink, pencil, and water-colour on paper, 111.2 x 78.9 cm
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❉ The Cosmic Garden |
Orticolario, Villa Erba
Curated by Jeff Gleich Lake Como, Italy, 2018 |
❉ Circle |
The Trinity Gallery
Seoul, 2018 |
❉ The Shape of Information
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COHJU Contemporary Art
Kyoto, 2017 |
❉ Surface series |
Volta Basel
COHJU Contemporary Art Basel, 2017 |
❉ 13 love poems and a song of despair |
Sakyukan
Niigata, 2016 |
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❉ Wabi Sabi Shima:
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Fondation Thalie
Espace H18 Brussels, 2015 |
Study for a fake moon (Lunar Earth-side geology), 2015, Ink and watercolour on paper, 111 x 79 cm
❉ Out of Africa:
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Doctoral Exhibition
Kyoto City University of Arts 2014 |
❉ Dividing Line - Connecting Line
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Zuiun-an
Kyoto, 2013-14 |
❉ Pattern Recognition
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COHJU Contemporary Art
Kyoto, 2014 |
Two Large Waves (Temple roof diagrams with two point interference patterns and debris), 2013-2017, Ink and watercolour on paper, 148 x 180 cm
❉ May Dialogues:
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Curated by Johnson Chang
Hong Kong Arts Centre, 2014 |
Parallel temples with circle steps, 2011, Ink on Paper, 116 x 147.5cm
❉ Art Futures 2011 |
Art Basel Hong Kong
with Man&Eve Gallery Hong Kong, 2011 |
❉ ¡ Que Esfuerzo ! |
MC Gallery
Seoul, 2011 |
❉ The Diamond Anvil |
Daniel Cooney Fine Art
New York, 2010 |
❉ Art Futures 2010 |
Art Basel Hong Kong
with Man&Eve Gallery Hong Kong, 2010 |
❉ The World of Red Dust
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International Artist Solo Show
C.I.G.E. Beijing, 2009 |
❉ Dark Ages |
Man&Eve Gallery
London, 2008 |
❉ Suspensions
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Gallery NV
Seoul, 2008 |
❉ Different Similarities, Similar Differences
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Sfera
Kyoto, 2008 |
❉ The Louder the Sun Blooms |
Daniel Cooney Fine Art
New York, 2007 |
❉ Miniature Worlds |
Jerwood Space
London, 2006 |
❉ The Topology of Being |
Daniel Cooney Fine Art
New York, 2006 |