❉ Perpetual Motion
Yi Tai Sculpture and Installation Projects
Curated by André Chan
Art Central Hong Kong, 2021
​                      Perpetual Motion (Grid cell carpet map with suspended MTDNA Haplogroups of the World), 2021 
                 Custom made carpet, wood, UV-printed disks, lead, wire​, 350 x 350 x 800 cm

❉ Bird call full moon
Ashiya Schule Gallery
​Ashiya, Japan, 2020
Bird Call Full Moon, 2009,  ​Ink and watercolour on paper, 44.5 x 42 cm

❉ Creators in Lab
​Art & Science Residency Program
​Asia Culture Centre
Gwangju, South Korea, 2019

Still Life, 2019,  printed roller blinds, aluminium rigging, lighting, cables, framed ink and watercolour painting on paper,
​240 x 600 x 600 cm,  Photo: Sarah Kim

❉​ Exile - Alternative Directions
Artist Residency Project
​Chusa Memorial Museum
Jeju Island, South Korea, 2019​
The Roots of the Orchid, 2019, Ink pencil and water-colour on paper, 111.2 x 78.9 cm
Tear glands, tear ducts, tear drops, 2019,  Ink pencil and water-colour on paper, 111.2 x 78.9 cm

​❉ Portraits of Thought​
     思考の肖像
​Art & Science Residency, iCeMS Laboratories
Kyoto University Centre for Advanced Studies
​​
Solo Exhibition
The Kyoto University Museum, 2018-19​​

​❉ The Cosmic Garden
Group Exhibition Curated by Jeff Gleich
​Orticolario, ​Villa Erba
Lake Como, Italy, 2018

❉ Circle
The Trinity Gallery
Seoul, 2018

​❉ The Shape of Information
     情報の形
​​COHJU Contemporary Art
Kyoto, 2017

❉ Surface series
Volta Basel
with COHJU Contemporary Art
2017

​❉ 13 love poems and
    a song of despair 
Sakyukan
​Niigata, 2016

❉ Wabi Sabi Shima:
     Of the aesthetics of perfection
     and chaos in the Japanese archipelago
​
Organised by Fondation Thalie
www.fondationthalie.org/en/
​Espace H18
Brussels, 2015
​Study for a fake moon (Lunar Earth-side geology), 2015, Ink and watercolour on paper, 111 x 79 cm

❉ Out of Africa:
     Under a full moon, with dead-ends,
     signal fire and old smoke
Doctoral examination exhibition
Kyoto City University of Arts
​2014

❉ Dividing Line - Connecting Line
     分かつ線ーつなぐ線  
Zuiun-an Project Space
​Kyoto, 2013-14

❉ Pattern Recognition
     パターン認識   

COHJU Contemporary Art
Kyoto, 2014
Two Large Waves (Temple roof diagrams with two point interference patterns and debris), 2013-2017, Ink and watercolour on paper, 148 x 180 cm

❉ May Dialogues:
     1st Annual Collectors' Contemporary Collaboration
Group exhibition curated by 
​Chang Tsong-Zung (Johnson Chang)
Hong Kong Arts Centre, ​2014
Parallel temples with circle steps, 2011, Ink on Paper, 116 x 147.5cm

❉ Art Futures 2011
Art Basel - Hong Kong
with ​ Man&Eve Gallery
​2011

❉ ¡ Que Esfuerzo ! 
MC Gallery
Seoul, 2011

❉ The Diamond Anvil
Daniel Cooney Fine Art
New York, 2010

❉ Art Futures 2010
​Art Basel - Hong Kong
with Man&Eve Gallery
2010

❉ The World of Red Dust
     红楼梦 / Dream of the red chamber
International Artist Solo Show Project
C.I.G.E.
Beijing, 2009

❉ Dark Ages
Man&Eve Gallery
London, ​2008

❉ Suspensions 
     부유 (浮遊) ​
Gallery NV
Seoul, 2008

❉ Different Similarities, Similar Differences
     相違の類似性  類似の相違性 
Sfera
Kyoto, 2008

❉ The Louder the Sun Blooms
Daniel Cooney Fine Art 
New York, 2007

❉ Miniature Worlds
Miniature Worlds
Jerwood Space
​London 2006

❉ The Topology of Being
Daniel Cooney Fine Art
New York, 2006
© 2021 Michael Whittle 
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